The acheiropoieton of Gethsemane as depicted in the manuscript Madrid, Biblioteca del Monasterio de El Escorial, T.I.1  (ca. 1280-1284), f. 44r, https://rbme.patrimonionacional.es/s/rbme/item/11337#?c=&m=&s=&cv=95&xywh=-4400%2C-263%2C12014%2C5244 . Legends surrounding the so-called images “not made by human hands” ( acheiropoieta ) emerged around the 6th century, with the aim of popularising the miracles attributed to them, promoting their veneration, and increasing the numb

Giotto, Ascension of Saint John the Evangelist , Peruzzi Chapel, Santa Croce, Florence (14th c.), https://commons.wikimedia.org/wiki/File:Giotto_di_Bondone_-_Scenes_from_the_Life_of_St_John_the_Evangelist_-_3._Ascension_of_the_Evangelist_-_WGA09300.jpg . After the death of the Apostle and Evangelist John (late 1st century), his tomb did not become a place venerated by Christians, and later generations forgot its exact location. The oldest biography of the apostle only mention

The image of Edessa in the manuscript Paris, BNF Lat. 2688 (13th c.), f. 75r, https://mandragore.bnf.fr/mirador/ark:/12148/btv1b8101682k/f61 . In the Byzantine world, the icon of Edessa was arguably the most famous image “not made by human hands” (acheiropoieton). According to legend, before his death, Christ imprinted the image of his face on a cloth, which he sent to King Abgar V of Edessa with a letter. This story is not credible, especially since, unlike other Christian

The Martyrdom of the Three Children Ananias, Azarias, and Misael, as depicted in the manuscript Vatican, BAV gr. 1613 (10th/11th c.), f. 251 (detail), https://commons.wikimedia.org/wiki/File:Ananias,_Azarius_and_Misael_(Menologion_of_Basil_II).jpg . In ancient times, losing one’s head was not an exceptional occurrence. Wars, conflicts of all kinds, and punishments could easily result in death by decapitation. Among those condemned to this type of death, hagiographic texts pr

The translation of Josaphat’s relics by King Barachiah, as depicted in the manuscript Los Angeles, Getty Museum, Ludwig XV 9 (15th c.),...

Image of Thecla on a Coptic eulogy ampulla (6th/7th c.), Paris, Musée du Louvre, Département des Arts de Byzance et des Chrétientés en...

The synaxarion of Pope Gregory I in the manuscript Sinai Gr. 548 (10th c.), f. 142r, https://www.loc.gov/resource/amedmonastery.00279380...

Emperor Theophilos and his court, as depicted in the manuscript Madrid, Gr. Vitr. 26-2, 12th c. (Chronicle of Skylitzes), f. 42v,...