Daniel Oltean

The acheiropoieton of Gethsemane as depicted in the manuscript Madrid, Biblioteca del Monasterio de El Escorial, T.I.1  (ca. 1280-1284), f. 44r, https://rbme.patrimonionacional.es/s/rbme/item/11337#?c=&m=&s=&cv=95&xywh=-4400%2C-263%2C12014%2C5244 . Legends surrounding so-called images “not made by human hands” ( acheiropoieta ) emerged around the 6th century, with the aim of popularizing the miracles attributed to them, promoting their veneration, and increasing the number of pilgrimage...

Giotto, Ascension of Saint John the Evangelist , Peruzzi Chapel, Santa Croce, Florence (14th c.), https://commons.wikimedia.org/wiki/File:Giotto_di_Bondone_-_Scenes_from_the_Life_of_St_John_the_Evangelist_-_3._Ascension_of_the_Evangelist_-_WGA09300.jpg . After the death of the Apostle and Evangelist John (late 1st century), his tomb did not become a place venerated by Christians, and later generations forgot its exact location. The oldest biography of the apostle only mentions that John...

The image of Edessa in the manuscript Paris, BNF Lat. 2688 (13th c.), f. 75r, https://mandragore.bnf.fr/mirador/ark:/12148/btv1b8101682k/f61 . In the Byzantine world, the icon of Edessa was arguably the most famous image “not made by human hands” (acheiropoieton). According to legend, before his death, Christ imprinted the image of his face on a cloth, which he sent to King Abgar V of Edessa with a letter. This story is not credible, especially since, unlike other Christian legends whose...